A modular landmark and public exhibition tower reinterpreting the shipping container on Terneuzen’s waterfront.
The source site plan compares the project location and a recommended position along the waterfront. It explains the relationship to the water and surrounding routes without implying that either location received planning approval.
The closer site plan places the rotated tower footprint within its immediate surroundings. The compact point of arrival leads into a vertical sequence of outlooks and exhibition rooms.
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The source site plan compares the project location and a recommended position along the waterfront. It explains the relationship to the water and surrounding routes without implying that either location received planning approval.
The closer site plan places the rotated tower footprint within its immediate surroundings. The compact point of arrival leads into a vertical sequence of outlooks and exhibition rooms.
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The rooms rotate along an ascending spiral, then shift outward to make places to gather and display information. Warm metallic tones become lighter towards the top. Perforated corrugated panels filter daylight, while reflections, shadows and weather make the same form appear different from one visit to the next.
The shipping container gives the tower its cultural reference and repeatable proportions. The original concept celebrates maritime trade while bringing the scale of the port into a room-sized encounter.
Each room rotates along a spiral to frame a different part of the city, coastline or sea. The changing silhouette helps the tower act as a landmark, while the top platform opens views in every direction.
Pushing the boxes outward makes space to gather and exhibit information. Each room is conceived as a chapter of local history, related to the landscape and activity visible through its opening.
The proposal organises circulation within a square steel core connected to a concrete base appropriate to the ground conditions. This is the source’s structural concept; detailed foundations, capacity and accessibility would require further design and verification.
A module inherited by the shipping context
The rooms rotate along an ascending spiral, then shift outward to make places to gather and display information. Warm metallic tones become lighter towards the top. Perforated corrugated panels filter daylight, while reflections, shadows and weather make the same form appear different from one visit to the next.
The source treats the projecting floors as balcony-like platforms connected to the primary core. Lightweight framing above each platform supports the facade. The distinction makes the assembly legible without presenting the concept drawing as an engineered connection detail.
Perforated metal makes the public rooms visually lighter and more open to the surroundings. The source proposes reduced weight and wind exposure as design aims; actual wind loading, durability and maintenance need technical assessment.
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The shipping container gives the tower its cultural reference and repeatable proportions. The original concept celebrates maritime trade while bringing the scale of the port into a room-sized encounter.
Each room rotates along a spiral to frame a different part of the city, coastline or sea. The changing silhouette helps the tower act as a landmark, while the top platform opens views in every direction.
Pushing the boxes outward makes space to gather and exhibit information. Each room is conceived as a chapter of local history, related to the landscape and activity visible through its opening.
The proposal organises circulation within a square steel core connected to a concrete base appropriate to the ground conditions. This is the source’s structural concept; detailed foundations, capacity and accessibility would require further design and verification.
A module inherited by the shipping context
The rooms rotate along an ascending spiral, then shift outward to make places to gather and display information. Warm metallic tones become lighter towards the top. Perforated corrugated panels filter daylight, while reflections, shadows and weather make the same form appear different from one visit to the next.
The source treats the projecting floors as balcony-like platforms connected to the primary core. Lightweight framing above each platform supports the facade. The distinction makes the assembly legible without presenting the concept drawing as an engineered connection detail.
Perforated metal makes the public rooms visually lighter and more open to the surroundings. The source proposes reduced weight and wind exposure as design aims; actual wind loading, durability and maintenance need technical assessment.
Selected item 1 / 6
An elevated public room frames the port, pairing its changing view with a chapter of maritime history.
The container connects Terneuzen to the movement of goods, ships and people. The proposal turns that industrial symbol into a public destination: a tower conceived both as a welcome from the water and as a place from which to understand the harbour. Modularity is the organising idea, giving each room a role within a larger whole.
The four elevations show how the repeating module creates a changing outline. Original dimensions, grid references and annotations remain visible; the drawings describe the proposal rather than a construction approval.
The four elevations show how the repeating module creates a changing outline. Original dimensions, grid references and annotations remain visible; the drawings describe the proposal rather than a construction approval.
The four elevations show how the repeating module creates a changing outline. Original dimensions, grid references and annotations remain visible; the drawings describe the proposal rather than a construction approval.
The four elevations show how the repeating module creates a changing outline. Original dimensions, grid references and annotations remain visible; the drawings describe the proposal rather than a construction approval.
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The four elevations show how the repeating module creates a changing outline. Original dimensions, grid references and annotations remain visible; the drawings describe the proposal rather than a construction approval.
The four elevations show how the repeating module creates a changing outline. Original dimensions, grid references and annotations remain visible; the drawings describe the proposal rather than a construction approval.
The four elevations show how the repeating module creates a changing outline. Original dimensions, grid references and annotations remain visible; the drawings describe the proposal rather than a construction approval.
The four elevations show how the repeating module creates a changing outline. Original dimensions, grid references and annotations remain visible; the drawings describe the proposal rather than a construction approval.
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The section relates the central stair, projecting rooms and top viewing platform. The climb is part of the exhibition: movement changes what visitors can see and how they understand the waterfront.
A second section makes the relationship between the core and public rooms visible. The supplied drawings do not demonstrate a step-free route or verified visitor capacity; neither is claimed here.
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The section relates the central stair, projecting rooms and top viewing platform. The climb is part of the exhibition: movement changes what visitors can see and how they understand the waterfront.
A second section makes the relationship between the core and public rooms visible. The supplied drawings do not demonstrate a step-free route or verified visitor capacity; neither is claimed here.
Selected item 1 / 2
